Tuesday, August 04, 2009

Painting - "The Signing of The Treaty of Greene Ville"


This painting hangs in the Garst Museum in Greenville, Ohio just above the fire place in the Garst House Parlor. The following information comes from the free pamphlet Guide to the Painting “The Signing of The Treaty of Greene Ville” by Howard Chandler Christy prepared by the Department of History Ohio State Archaeological and Historical Society, published by The Darke County Historical Society, reprinted January, 2007.

Howard Chandler Christy’s interest in art began early in his youth. While a young boy he displayed a native talent for drawing. At the age of 20 he went east to make illustrating his livelihood. He contributed to various periodicals, including Scribner’s Magazine, Harper’s Magazine, Collier’s Weekly, Cosmopolitan, and Hearst’s magazines.

About 1920, he turned from illustrating to portrait painting. His list of portraits is a list of many of the noted men of the twentieth century. Presidents, Cabinet officers, Congressmen, industrialists, and a large number of other well-known figures.

The artist established himself as a painter of historic scenes when he produced the large painting, “The Signing of the Constitution.” This historic painting was commissioned by Congress in 1939, and hangs in the national Capital in Washington.

The General Assembly of the State of Ohio authorized the Ohio State Archaeological and Historical Society to secure a painting of the Signing of the Treaty of Greene Ville in January 1945; instructing that Howard Chandler Christy or some other eminent Ohio artist should be commissioned. Mr. Christy was immediately chosen to paint the picture. The necessary historical research for the scene to be portrayed was provided by the historians of the State Historical Society. The picture was completed in July. After its unveiling at Greenville on August 3, it was to be hung permanently in the state Capital at Columbus.

This is me again. The last sentence makes it sound like the real painting isn’t hanging at the museum, but it sure looked real to me. I guess it could be a reprint, but the texture seemed to be real. I wish I had read the information while I was there, so I could have asked. Oh, well, live and learn.
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